Now he trails apologies and questions about bigotry wherever he goes, which will make it pretty hard to stay on message about old Jaguar Paw.
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That's about all the studio will say about a movie that must have become an albatross, because the crucial question is: How can this film be marketed? Gibson's name and ability to chat up "Apocalypto" was its only real selling point.
8? (It is scheduled to be released in most of Europe and Australia in December and January.) As recently as last week Touchstone, the Disney division releasing it, insisted it would. (As those things go, it's a glamour shot, showing that some actors can play to the camera no matter how high their blood alcohol level.) And we know that his drunken Malibu tirade casts an inescapable shadow over the film's opening, raising many questions, including: Will "Apocalypto" really arrive in the United States on Dec. But we know from his recent mug shot that Gibson has lost the beard. The film is still being edited, so there's no way to know whether "Apocalypto" might be crazy-brilliant or just crazed.
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Photos from the set showed that Gibson had grown a full beard and let its central white streak grow longer than the rest, as if defiantly choosing to look like an aging eccentric.Īs a director, he has been some kind of mad genius so far, anticipating what audiences want with startling clarity: making a sword-and-sandals epic when it was no longer fashionable, yet winning Oscars (including best director) for "Braveheart" (1995) turning what seemed a huge folly - a gruesome, subtitled, self-financed passion play - into a $600 million worldwide blockbuster with "The Passion of the Christ" (2004).īut those photos from Mexico and the subject of "Apocalypto" - the hero, called Jaguar Paw, is chosen as a human sacrifice and makes a fast-paced escape through the rain forest - were enough to make anyone wonder whether Gibson had finally gone around the bend and turned into some cinematic Kurtz, lost in the dark jungle. An action movie set in the dying days of the Maya civilization, the 15th century, "Apocalypto" was made in the Yucatec dialect without a single recognizable actor, and shot in the jungles of Mexico, where heavy rains slowed production and postponed its planned release from this summer. Even for him, the oddball quotient is high. "Mel's crazy, but I like him," a name-dropping billionaire says in Bruce Wagner's latest Hollywood novel, "Memorial" (released this month but written pre-meltdown).Īnd Gibson's new film, "Apocalypto," was already one of the most talked about of the season, largely because of the Crazy Mel factor. Mel Gibson is "crazy, dude," one South Park kid tells another. A 2004 episode of "South Park" about "The Passion of the Christ" depicts him as a looney-tunes guy bouncing off the walls in his underwear and whooping. The Myth of Crazy Mel began seeping out of Hollywood long before he was arrested for drunken driving on July 28 and burst out with the ugly, anti-Semitic comments that have put him in extreme damage-control mode.
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